Magic Tibet Ⅰ-- Potala Palace |
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History The site was used as a meditation retreat by King Songtsen Gampo (sōng zàn gān bù 松赞干布), who built the first palace there in 637 in order to greet his bride Princess Wen Cheng (wén chéng gōng zhǔ 文成公主) of the Tang Dynasty (táng cháo 唐朝) of China. Lozang Gyatso (luò sāng jiā cuò 洛桑嘉措), the Great Fifth Dalai Lama (wǔ shì dá lài lǎ mā 五世达赖喇嘛), started the construction of the Potala Palace (bù dá lā gōng 布达拉宫) in 1645 after one of his spiritual advisers, Konchog Chophel , pointed out that the site was ideal as a seat of government, situated as it is between Drepung and Sera monasteries and the old city of Lhasa. The Dalai Lama and his government moved into the Potrang Karpo (White Palace, bái gōng 白宫) in 1649. Construction lasted until 1694, some twelve years after his death. The Potala was used as a winter palace by the Dalai Lama from that time. The Potrang Marpo (Red Palace, hóng diàn 红殿) was added between 1690 and 1694. "The new palace got its name from a hill on Cape Comorin (kē mó lín jiǎo 科摩林角) at the southern tip of India—a rocky point sacred to the God of Mercy, whom the Indians call Avalokitesvara (guān yīn 观音) and the Tibetans worship as Chenrezi. The Tibetans themselves rarely speak of the sacred place as the ‘Potala’ but rather as ‘Peak Potala’ (Tse Potala), or usually as ‘the Peak’. The palace was slightly damaged during the Tibetan uprising against the Chinese in 1959, when Chinese shells were launched into the palace's windows. It also escaped damage during the Cultural Revolution (wén huà dà gé mìng 文化大革命) in 1966 through the personal intervention of Zhou Enlai (zhōu ēn lái 周恩来), who was the Premier of the People's Republic of China but who personally opposed the revolution. Still, almost all of the over 100,000 volumes of scriptures, historical documents and other works of art were removed, damaged or destroyed. The Potala Palace was inscribed to the UNESCO World Heritage List in 1994. In 2000 and 2001, Jokhang Temple (dà zhāo sì 大昭寺) and Norbulingka (luó bù lín kǎ 罗布林卡) were added to the list as extensions to the sites. Rapid modernization has been a concern for UNESCO, however, which expressed concern over the building of modern structures immediately around the palace which threaten the palace's unique atmosphere. The Chinese government responded by enacting a rule barring the building of any structure taller than 21 meters in the area. UNESCO was also concerned over the materials used during the restoration of the palace, which commenced in 2002 at a cost of RMB180 million, although the palace's director, Qiangba Gesang (qiáng bā gé sāng 强巴格桑), has clarified that only traditional materials and craftsmanship were used. The palace has also received restoration works from 1989 to 1994, costing RMB55 million. Daily visitor ship to the palace was restricted to 1,600 a day, with opening hours reduced to six hours daily to avoid over-crowding from 1 May 2003. The palace was receiving an average of 1,500 a day prior to the introduction of the quota, sometimes peaking to over 5,000 in one day. Visits to the structure’s roof were banned after restoration works were completed in 2006 to avoid further structural damage. Visitor ship quotas were raised to 2,300 daily to accommodate a 30% increase in visitor ship since the opening of the Qingzang railway (qīng zàng tiě lù 青藏铁路) into Lhasa (lā sà 拉萨) on 1 July 2006, but the quota is often reached by mid-morning. Opening hours were extended during the peak period in the months of July to September, where over 6,000 visitors would descend on the site. Architecture Built at an altitude of 3,700 m, on the side of Marpo Ri (Red Mountain, hóng shān 红山) in the center of Lhasa Valley, the Potala Palace, with its vast inward-sloping walls broken only in the upper parts by straight rows of many windows, and its flat roofs at various levels, is not unlike a fortress in appearance. At the south base of the rock is a large space enclosed by walls and gates, with great porticos on the inner side. A series of tolerably easy staircases, broken by intervals of gentle ascent, leads to the summit of the rock. The whole width of this is occupied by the palace. The central part of this group of buildings rises in a vast quadrangular mass above its satellites to a great height, terminating in gilt canopies similar to those on the Jokhang. This central member of Potala is called the "red palace" from its crimson color, which distinguishes it from the rest. It contains the principal halls and chapels and shrines of past Dalai Lamas. There is in these much rich decorative painting, with jeweled work, carving and other ornament. The Chinese Putuo Zongcheng Temple, built between 1767 and 1771, was modeled after the Potala Palace. It was named by the American television show Good Morning America and newspaper USA Today as one of the "New Seven Wonders". The Potrang Karpo or 'White Palace' The White Palace is the part of the Potala Palace that makes up the living quarters of the Dalai Lama. The first White Palace was built during the lifetime of the Fifth Dalai Lama and he and his government moved into it in 1649. It then was extended to its size today by the thirteenth Dalai Lama in the early twentieth century. The palace was for secular uses and contained the living quarters, offices, the seminary and the printing house. A central, yellow-painted courtyard known as a Deyangshar separates the living quarters of the Lama and his monks with the Red Palace, the other side of the sacred Potala, which is completely devoted to religious study and prayer. It contains the sacred gold stupas—the tombs of eight Dalai Lamas—the monks' assembly hall, numerous chapels and shrines, and libraries for the important Buddhist scriptures, the Kangyur in 108 volumes and the Tengyur with 225. The yellow building at the side of the White Palace in the courtyard between the main palaces houses giant banners embroidered with holy symbols which hung across the south face of the Potala during New Year festivals. The Potrang Marpo or 'Red Palace' The Red Palace is part of the Potala palace that is completely devoted to religious study and Buddhist prayer. It consists of a complicated layout of many different halls, chapels and libraries on many different levels with a complex array of smaller galleries and winding passages. The Great West Hall
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